FRENCH MANUFACTURER OF SAXOPHONE MOUTHPIECES
At Les Becs d’Autan, we craft and hand-reface unique mouthpieces to offer every saxophonist the right sound — the one that reveals their musical personality. Made in France, our mouthpieces combine artisanal craftsmanship, high precision, and acoustic performance.
FROM PASSION to excellence
A musician, saxophone teacher, and later director of a music school, Philippe observed the same pattern for years: brilliant saxophonists held back by a tiny detail—the mouthpiece.
The obstacles are often the same: weak low notes, unpredictable highs, squeaks, fatigue…
Curious by nature, he began analyzing, measuring, and comparing mouthpieces until he understood what few notice: an irregular facing curve, a table lacking flatness, rails that disturb reed vibration, poor sealing…
The day Philippe realized that the mouthpiece and the reed are the vocal cords of the saxophone, his path changed: he became a saxophone mouthpiece maker so that the equipment could disappear and the music could finally flow.
The heart of his vocation: restoring to the saxophonist the perfect ease that frees their musical expression.
Philippe Momal

Precision
in the service of music
A mouthpiece that is perfect “on paper” is worthless if it doesn’t inspire the musician. Here, measurement never replaces real playing tests and proven methods: CAD* to design the ideal shape, precise measurements to adjust and verify, and playing tests to validate the result.
A perfectly flat table for airtight sealing, symmetrical rails, an opening suited to the player’s airflow, carefully adjusted chamber and baffle, and finely controlled surface finishes. The work progresses through short iterations until the perfect balance is achieved: response / projection / expressiveness.
*CAD: Computer-Aided Design
A MUSICIAN’S EYE AN ARTISAN’S TOUCH
The ear asks the question; the dial gauge provides the answer to within 1/100th of a millimeter.
Philippe brings together solid experience and skills in jewelry craftsmanship, precision mechanics, 3D design (CAD), and the acoustics of saxophone mouthpieces. He has also worked extensively on his own saxophone sound using Dave Liebman’s method.
His work is further informed by the meticulous analysis of hundreds of vintage and modern mouthpieces, along with extensive acoustic testing and feedback from saxophonists.
By combining all this knowledge acquired over the years, he is now able to create exceptional mouthpieces.


REVEAL YOUR SOUND
Philippe manufactures, refaces, and repairs—but above all, he listens.
A beginner classical alto does not require the same power as a professional funk tenor; a soprano in an ensemble has different needs from a studio baritone. His work consists of translating musical intention into technical parameters: freeing the low register without weighing down the attack, smoothing the high register without dulling the harmonics, opening the dynamic range without tiring the breath.
Whether reviving a vintage model or optimizing a contemporary mouthpiece, the goal remains the same: a healthy vibration that allows the musician to fully be themselves.
A workshop in southwestern France
Philippe’s workshop is located in Revel, in the Lauragais region of southern France. Outside, the famous Autan wind sometimes blows fiercely; inside, mouthpieces are polished, tested, and adjusted in calm concentration.
The mouthpieces created here travel across the world: to studios, stages, big bands, and conservatory classrooms. And we often receive the same simple message:
“I’ve found my sound.”
The workshop is local, but the standards are universal: every mouthpiece is designed to respond equally well to intimate playing, bright stages, and studio microphones.
A PROUD TRADITION
From Coleman Hawkins to Michael Brecker, the greatest players shaped their mouthpieces—and their sound—with the help of a refacer. Philippe continues in this tradition: respect for the great models and master refacers, curiosity for innovation, and the simple conviction that sound is a meeting between a musician, an instrument, a mouthpiece… and a craftsman.
Do you have a clear idea of your sound, or just a feeling?
Talk to Philippe.
Every project begins the same way: with listening, a diagnosis… and the creation of a mouthpiece that truly reflects you.
REVIEWS
Publié sur Google Gerrit SchalkwijkTrustindex vérifie que la source originale de l'avis est Google. For a long time now I have been desperately looking for a mouthpiece that produces the to my taste best and most pleasant sound on my tenor wo-35 yanagisawa and my yanagisawa tenor 992. I literally tested around 16 mouthpieces, also mid range but mostly high end. It took me a felt forever to find my sweet spot. In the course of this journey, which was long without success, I saw a youtube short from Les Becs d'Autan on the Florida metal. That triggered my interest and I started doing some research on Les Becs d'Autan and its sound philosophy. On all of the AI apps I utilized for my research, Philippe's references are excellent and impressive. But then, nothing goes over trying mouthpieces yourself instead of reading about them. The experiment with these mouthpieces turned out to be even better then what I had read about them. I started the experiment with ordering the Florida metal and was hooked after the first 5 minutes testing.... As a consequence I now own and thoroughly enjoy playing three Les Becs d'Autan mouthpieces. A Florida metal, a Hollywood metal as well as an MB1 Pilgrimage metal mouthpiece. The sound, especially of the Hollywood on my Yani wo35 displays a wonderfully velvety, buttery-smooth creaminess that feels like blowing through honey, though it naturally trades off a bit of that laser-sharp, loud focus when you really want to push it. Playing the Florida metal on my 992 keeps that signature buttery-smooth creaminess but adds a beautiful, underlying sizzle that gives the sound a subtle crispness and projection, without ever becoming harsh. And the MB1 Pilgrimage... a collectors item that gives more projection without ever losing its identity. I feel that from the sound perspective I have now "arrived". My mouthpiece search has ended.Publié sur Google La cerise sur le pianoTrustindex vérifie que la source originale de l'avis est Google. L'accueil téléphonique de Philippe qui se rend très disponible pour des conseils avisés sur le choix du bec est top. J'ai choisi un Florida Slant en espérant développer un son boisé et chaud et la qualité d'émission dans tous les registres de ce bec dépasse mes espérances. Un grand merci Philippe pour la qualité de votre travail.Publié sur Google Simon NiblockTrustindex vérifie que la source originale de l'avis est Google. Fantastic service - first class refacing & replacing job - mouthpiece came back better than new! Thank you so much!Publié sur Google Sax a la carte AustriaTrustindex vérifie que la source originale de l'avis est Google. The mouthpieces Philippe makes are beautiful to look at, precisely crafted, and comfortable to play. The quality of the mouthpieces is impressive.Publié sur Google Jukka PerkoTrustindex vérifie que la source originale de l'avis est Google. Les Becs d’ Autan Hollywood is a truly fantastic mouthpiece. Philippe is a good communicator and very helpful. The order was completed on precise timetable! Twelve points out of ten!Publié sur Google Stéphane TeyssierTrustindex vérifie que la source originale de l'avis est Google. Travail d'exception sur un refacing d'un bec OTTO LINK acheté en 1990 et refaçé selon mes besoins . Cahier des charges plus que respecté : Sonorité plus profonde, plus de projection et de clarté . Un travail d'orfèvre chez ce passionné de musique et ce révélateur de son, recherché par les saxophonistes exigeants !!Publié sur Google TobiasTrustindex vérifie que la source originale de l'avis est Google. Great customer service, reasonable waiting time and, above all, amazing quality. I usually play the same mouthpiece for years and years and the Florida will be the one for the years forthcoming.Publié sur Google lionel minettiTrustindex vérifie que la source originale de l'avis est Google. réglage parfait sur bec ébonite de saxophone baryton et un suivie exemplairePublié sur Google Thierry ChillonTrustindex vérifie que la source originale de l'avis est Google. Merci a Philippe pour son super travail. Les becs d'autan rendent la musique plus simple BravoPublié sur Google jean spalmaTrustindex vérifie que la source originale de l'avis est Google. Très bon travail effectuer sur un bec en très mauvais état ,et après un passage au bec d’autan une merveille .Sans ésiter pour une prochaine foisCharger plus